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Welcome to No Credits Given - The place for the films that slipped through the cracks This is a place for the underdogs. The overlooked. The films that slipped through the cracks, dodged the spotlight, or simply never got the credit they deserved. No Credits Given is a blog dedicated to discovering and celebrating lesser-known movies —those hidden gems, cult oddities, festival darlings that quietly exist in the shadows of blockbusters. Here, you won’t find reviews of the latest Marvel installment or Oscar contender. Instead, expect deep dives, honest takes, and personal reflections on the films that rarely make it to the front page—but stick with you long after the credits roll. This isn’t about pretension or gatekeeping. It’s about curiosity, open-minded viewing, and sharing stories that deserve to be seen and heard. New reviews drop regularly, covering all genres and eras. If a film made you feel something—confused, inspired, nostalgic, uns...

The Good Neighbor (2016) - Captivating, Haunting, Ingenious

The Good Neighbor (2016) - Captivating, Haunting, Ingenious

Film Review: The Good Neighbor (2016)

Directed by Kasra Farahani

The Good Neighbor poster

The Good Neighbor, directed by Kasra Farahani, is a tense psychological thriller that blends elements of voyeurism, teenage recklessness, and moral ambiguity into a slow-burning, unsettling tale. The film follows two high school students, Ethan (Logan Miller) and Sean (Keir Gilchrist), who set out to play a "scientific" prank on their reclusive elderly neighbor, Harold Grainey (James Caan). The plan? To convince him his house is haunted—all while secretly filming his reactions.

What begins as a seemingly harmless social experiment quickly spirals into something darker. As the boys manipulate Grainey’s environment—flickering lights, slamming doors, phantom noises—they not only unravel layers of the old man's life, but also their own motivations and emotional baggage. The line between observer and participant blurs, forcing the audience to question who the real "villain" is.

James Caan delivers a quiet, haunting performance as the enigmatic Grainey. With very little dialogue, he manages to evoke both menace and melancholy, hinting at a tragic past that the film gradually reveals. The young leads convincingly portray teens caught between curiosity, cruelty, and regret, though at times their characters feel underwritten.

Stylistically, the film leans heavily on surveillance footage, found-footage aesthetics, and courtroom intercuts, which helps maintain a level of intrigue and narrative tension. While this structure occasionally disrupts the pacing, it adds a unique layer to the storytelling—making it more than just a teenage prank gone wrong.

The Good Neighbor isn't a traditional horror film, and those expecting big scares may be left wanting. Instead, it’s a slow, simmering exploration of guilt, manipulation, and the ethics of intrusion. It asks the audience to reflect on how far is too far when curiosity turns invasive.

Overall, it’s a clever, if somewhat undercooked, thriller that benefits from strong performances and a thought-provoking concept. Fans of minimalist thrillers like Disturbia or The Lives of Others might find this one worth the watch.

Verdict: Recommended to watch, but without too high expectations.

Where to find it: Available on Prime Video and other digital platforms.

Rating: ★★★☆☆ (3/5 - intriguing and haunting, yet flawed)

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